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EDITORIAL team

TAMARA DREWE. That Small Sense of Satisfaction

Odys Korczyński

Landscape with Invisible Hand. Intimite, Unknown SF

Jakub Piwoński

Looking Back at VELVET BUZZSAW: A Horror of Art

Łukasz Budnik

THE RICHEST WOMAN IN THE WORLD: Huppert Steals the Show

Krzysztof Walecki

Revisiting ALICE, SWEET ALICE: Dread and Religious Symbolism

Maciej Niedźwiedzki

ERNEST & CELESTINE. Slipped Under Almost Everyone’s Radar

Maciej Kaczmarski

Revisiting DEAD MAN: Jim Jarmusch’s Anti-Western Masterpiece

Janek Brzozowski

THE WAR WITH GRANDPA. Pure Family Entertainment

Tomasz Raczkowski

TERRIFIED (Aterrados): A Horror That Knows How to Scare

Dawid Myśliwiec

LA LA LAND Revisited. The Search for Wonder

Filip Jalowski

A FIELD IN ENGLAND Revisited: A Surreal, Hypnotic Vision

Jarosław Kowal

THE HOUSE WHERE EVIL DWELLS: Charming 80s B-Movie Romp

Karolina Chymkowska

40 Years Since THE LOST BOYS: Cult 80s Teen Horror Feast

Michalina Peruga

AWAKE. Netflix Movie Not Worth Your Time

Edward Kelley

DEAD SUSHI: Exotic, Spicy, and Wildly Entertaining

Mariusz Czernic

THE BRIDE! – The Art of Stitching

Przemysław Mudlaff

LOST GIRLS. Honoring the Victims [REVIEW]

Rafał Donica

Revisiting R-POINT: A Great Korean Foray into Asian Horror

Filip Pęziński

MADAME WEB. Like a TV Series Pilot [REVIEW]

Jacek Lubiński

JOE KIDD. One of Eastwood’s Weakest Performances

Mary Kosiarz

EDDINGTON: Checking the Pulse of Modern American Democracy

Jan Tracz

JASON ISAACS and the directors of HONEY BUNCH on trusting each other while making a HORROR about memory loss

Marcin Konczewski

BEAU IS AFRAID Explained: Acid-Fueled Psychotherapy

Jan Dąbrowski

THE CAR: When B-Movies Attack on Four Wheels

Maja Budka

DOKUMENT. Short Film That Feels Monumental

Katarzyna Kebernik

PHANTOM OF THE PARADISE: Absolutely Freakin Bananas!

Radosław Pisula

SKYSCRAPER. Let’s See What The Rock Comes Up With

Martyna Janasik

ONLY MURDERS IN THE BUILDING (S:2): Who Killed Bunny Folger?

Marcin Kempisty

Looking back at PHYSICAL Season 1. Interpretive ambiguity

Tomasz Bot

PUPPET MASTER: LITTLEST REICH – Achtung! It’s Good!

Gracja Grzegorczyk-Tokarska

5 STRANGE THINGS That Happened on the Set of STRANGER THINGS

Agnieszka Stasiowska

MISS YOU ALREADY. Don’t Let Go Of Your Tissues

Mikołaj Lewalski

LEAVE NO TRACE. Impressive Both Formally and Emotionally

Adrian Szczypiński

THE LIMITS OF CONTROL Revisited: Jarmusch’s Hypnotic Mystery

Rafał Oświeciński

Looking Back at EASTERN PROMISES: We Demand More!

Szymon Skowroński

CURFEW. Simple But Beautifully Told Story

Karol Barzowski

BAD EDUCATION. Hugh Jackman is Fantastic

Jakub Koisz

ALL IS TRUE. A Palpable Measure of Love

Dawid Konieczka

THE MONSTER: Solid Horror That Could Have Been More

Karolina Nos-Cybelius

THE BROKEN: On the Other Side of the Mirror

Kornelia Farynowska

ME BEFORE YOU. Easy to Place Within its Cultural Moment

Michal Kaczon

PLAINCLOTHES. It Will Certainly Stir Your Emotions

Lukasz Homziuk

LEFT-HANDED GIRL. Mothers and Daughters in Taipei [REVIEW]

Krzysztof Nowak

HILLBILLY ELEGY. Failed Oscar Bait [REVIEW]

Natalia Hluzow

LIGHTYEAR. Another Beautiful Pixar Story About Friendship

Piotr Zymelka

Looking Back at DOWN BY LAW: A Hypnotic Prison Escape

Radoslaw Buczkowski

TICKS. Cult classic sci-fi horror from VHS era

Jedrzej Paczkowski

THE CRUEL WAY. Limits of Endurance [REVIEW]

Damian Halik

WHEN WE FIRST MET. Approach It With Low Expectations

Maciej Kujawski

“We Did OK, Kid” – Anthony Hopkins and His Memories [REVIEW]

Maciej Poleszak

CHRONICLE. One of the rare “what if?” experiments

Milosz Drewniak

Looking Back at PATERSON: Wonderful Affirmation of Life

Rafał Grynasz

Revisiting COFFEE AND CIGARETTES: Brilliantly About Nothing

Paulina Zdebik

HOW TO BECOME A TYRANT: Satirical Lessons on Dictatorship

Darek Kuźma

Revisiting LET THE RIGHT ONE IN: Extraordinary Coming-of-Age Horror

Karol Baluta

THE CAT RETURNS. Slightly Below Ghibli’s Usual Standard

Piotr Han

ADAM. Great Film Worthy of the Highest Attention

Karolina Michalska

37 SECONDS. On the Desires of Each of Us

Tomasz Ludward

JOHN CANDY: I LIKE ME. Emotional and Moving Story

Krzysztof Dylak

The most TERRIFYING SCENES from screen adaptations of STEPHEN KING

Adam Ludzen

LUPIN III: THE CASTLE OF CAGLIOSTRO. Miyazaki’s Feature-Length Debut

Paweł Marczewski

V FOR VENDETTA. What is the price of freedom?

Maciej Satora

THE IN-LAWS. Polish Cinema of Escalation

Bartosz Rudnicki

THE TEXAS CHAIN SAW MASSACRE Explained: Welds You to the Screen

Michał Puczyński

Interview with Matthew Holmes, the director of Territorial

Andrzej Wiśniewski

Looking Back at PARANORMAL ACTIVITY: Still Effective as Hell

Jerzy Babarowski

CHINATOWN. Roman Polanski’s Noir Masterpiece Explained

Andres Benatar

THE MATRIX: Then And F-Ing Now

Radosław Dąbrowski

MAN OF MARBLE. MAN OF IRON. Andrzej Wajda’s Political Diptych

Bogusz Dawidowicz

GREEN ZONE. War’s evil, but politic’s even worse

Marcin Cedro

THE WRESTLER: Brilliant Film, Phenomenal Mickey Rourke

Janek Steifer

SURREAL ALATION. Interview with C. Robert Cargill

Sebastian Michalak

Revisiting FEAR AND LOATHING IN LAS VEGAS: Pure Madness!

Jacek Kozłowski

OLIVER TWIST. Polanski’s Dark Take on Dickens

Lukasz Krajnik

THIS HOUSE HAS PEOPLE IN IT: A Disturbing Little Masterpiece

Dariusz Zak

Looking Back at SPIDER: More Terrifying Than Horror

Joshua Wojciechowski

EYES WIDE SHUT Explained: A Masterpiece Shrouded in Mystery

Klara Kukowska

UNITED 93. The viewer becomes a participant

Andrzej Brzezinski

Looking Back at RESERVOIR DOGS: Tarantino’s Seminal Debut

Iwona Kusion

BATTLE ROYALE Explained: The Masterpiece Behind The Hunger Games

Przemyslaw Polak

Looking Back at STRANGER THINGS, S1: A Wonderful Journey

Maciek Kukowski

THE HILLS HAVE EYES. Against the Rules of Horror Cinema

Tomasz Jamry

THE WICKER MAN. Extraordinary masterpiece

Bartosz Czartoryski

Looking Back at DRAG ME TO HELL: Fun With Horror Conventions

Szymon Pewiński

THE KEEPERS. Justice from Beyond the Grave

Michal Klimaszewski

Looking Back at THE BROTHERS GRIMM: Gilliamesque Fairy Tale

Dominik Jedlinski

THE SHADOW LINE: Dark, Suspenseful, Surreal

Tomasz Stankunowicz

DARK STAR: Carpenter’s Worthy Science Fiction Debut

Robert Skowronski

Terry Gilliam’s THE ZERO THEOREM: To Break the Human Spirit

Berenika Kochan

THE LETDOWN. Mothers, this Series is for You

Karol Kucmierz

Revisiting A DANGEROUS METHOD: In a Corset of Repression

Tomasz Urbanski

The Endless SCREAM: The Story of a Bloody Phenomenon

Karolina Boron

ONLY LOVERS LEFT ALIVE Revisited: Art, Time, and Immortality

Krzysztof Bogumilski

THIS IS THE END. Hollywood stars playing themselves and a biblical apocalypse

Jan Wasilewski

LITTLE MISS SUNSHINE. More than a Family [REVIEW]

Karolina Dzieniszewska

THE FAVOURITE. An overt, visual perversion

Magdalena Skorus

CRIES AND WHISPERS. Death, pain, grief and guilt

Piotr Kocon

Looking back at DEAD SNOW: A Blizzard of Nazi Gore Fun