
Mary Kosiarz
Far from keeping her feet firmly on the ground, she has sold her artistic soul to books and cinematography. Fascinated by Meryl Streep and an avid fan of unconventional film endings. In her free time, she educates about mental health and recommends her favorite books and screens.

THE HISTORY OF SOUND. The Sounds of Loneliness [REVIEW]
In The History of Sound, what remains unspoken and symbolic speaks louder than words—reflecting the restrictive era in which the protagonists lived....

NOUVELLE VAGUE. Out of Love for Godard [REVIEW]
Nouvelle Vague is a love letter to Godard’s artistic ego.

DIE, MY LOVE. Jennifer Lawrence’s Most Controversial Role
Die, My Love, one of the most anticipated entries in this year’s Cannes competition, is an ecstatic, feral, and deeply contradictory film

DOSSIER 137. A One-in-a-Million Case [REVIEW]
In Dossier 137, Dominik Moll presents a humanistic, empathetic yet unsentimental perspective on the struggles of marginalized communities in modern...

TRUELOVE. Friendship Under Control [REVIEW]
TrueLove offers a moral introspection, brilliant acting, and an edge-of-your-seat finale.

G20. Viola Davis versus the World? [REVIEW]
G20 was supposed to be her first full-fledged action-superhero movie, where the fate of the entire world depends solely on a woman.

DYING FOR SEX. A Woman's Path to Fulfillment [REVIEW]
Dying for Sex is laugh-out-loud funny, tear-jerking, and inspiring—it urges you to take action on those dreams labeled “for later.”

SNOW WHITE. New Disney, New Problems? [REVIEW]
Snow White had already lost credibility in the eyes of the public long before the official promotional campaign even began.