Przemysław Mudlaff
He appreciates the truth and sincerity of the intentions of its creators in cinema. He loves to be emotionally kicked and abused by the film, but also happy and amused. A hunter of film curiosities, references and connections. A fan of the works of PTA, von Trier, Kieślowski, Lantimos and Villeneuve. What he likes the most is talking about the cinema over a beer, and the beer has to be cold and thick, you know what.
COUP! Perspective depends on where you sit [REVIEW]
A major strength of “Coup!” as a satire in the “eat the rich” genre is its objectivity and fairness.
THE CROW. A Grotesque Revenge Film [REVIEW]
I thought I’d see at least a bit of that specific aesthetic sensitivity in Sanders’ “Crow”. I didn’t. Sanders had his own modernized...
PSYCHO GOREMAN: Monsters in Tribute to Childhood
Despite all its craziness, “Psycho Goreman” radiates good energy. It’s a sincere love letter to the kind of cinema you loved as a child....
BLACK MIRROR: BANDERSNATCH. All Endings Revealed
Did you play, or rather, watch Black Mirror: Bandersnatch, the cinematic experiment from Netflix that divided streaming audiences?
7 Films of KRZYSZTOF ZANUSSI You Should Definitely Know
The work of Krzysztof Zanussi is a phenomenon on a global scale.
IMMACULATE. There are no miracles, but there's Sweeney [REVIEW]
If Immaculate were a better film, Sydney Sweeney would immediately be hailed as the scream queen.
The Episodes Of TV Series That Have Been Banned From Airing
When you watch programs broadcasted by contemporary television, you might get the impression that there are essentially no taboos for them.