Marcin Konczewski
The founder of the Kon (Horse) Movie fanpage, where he transforms into a film animal who gallops with pleasure through the multiverse of superhero productions, science-fiction, fantasy and all kinds of animations. If he had to say something about himself, he would say that Kon is a pop culture lover, a self-proclaimed critic constantly looking for a human in cinema, a fan of non games, literature, dinosaurs and Batman. Professionally, a teacher (by choice), always opposed to the concrete education system, strongly pushing alternative forms of education. He quietly writes fairy tales and fantastic stories for his little son. A Polish philologist by education. He collaborates with several publishing houses and YouTube channels.
ALIEN: ROMULUS. A Successful Recycling of the Sci-Fi Series? [REVIEW]
There’s absolutely nothing new in Alien: Romulus for the series. Everything has already been done in previous installments, yet Álvarez’s...
DEADPOOL & WOLVERINE. And So On Until 90, Logan [REVIEW]
It’s amazing that there are moments of true acting brilliance in Deadpool & Wolverine.
TWISTERS. This Really Spins Me Up! [REVIEW]
“Twisters” proves that disaster films still have power, and “a tornado is partly what we know, and partly a religion.”
THE EXORCISM. Expelling the Demons of Conventions [REVIEW]
I had a really good time. The Exorcism with Russell Crowe is something entirely different.
BAD BOYS: RIDE OR DIE. Bad and Furious [REVIEW]
In Ride or Die, we get a lot more action in the style of Fast and Furious, and a bit less of that gangster vibe, which I so associate with Bad Boys.
KINGDOM OF THE PLANET OF THE APES. Profaning Caesar's Legacy and Monkey (R)evolution. [REVIEW]
Do I see prospects for a new, good trilogy in Kingdom of the Planet of the Apes? Yes.
CIVIL WAR. Garland's Apocalypse Now [REVIEW]
Heading to the cinema for “Civil War,” I had no idea I would be watching an outstanding adaptation blending “Heart of...
FALLOUT. Is this meant to be a new standard for the dystopian genre? [REVIEW]
Did the series “Fallout” manage to prove that dystopia can be portrayed in a completely different and yet effective way?