FALLOUT. Is this meant to be a new standard for the dystopian genre? [REVIEW]
Did the series “Fallout” manage to prove that dystopia can be portrayed in a completely different and yet effective way?
"A Brighter Tomorrow". Moretti's Circus, Our Joy [REVIEW]
“A Brighter Tomorrow” is simply good cinema – this film is absolutely unique, sincere, and draws from the legacy of the best.
SHŌGUN. I Thought They Didn't Make Them Like This Anymore [REVIEW episodes 1-8]
Already in February, we get one of the best series of 2024. “Shōgun” unbelievably transports in time and completely engrosses.
ARGYLLE. So they're not joking? [REVIEW]
“Argylle” is a painful promise and ultimately a festival of missed opportunities, a very shallow, lazy blockbuster with excellent visual...
KLEKS ACADEMY. Welcome to the Music Video [REVIEW]
The new “Kleks Academy” will not be a fairy tale for adults. Whether it becomes one for children remains to be seen.
REBEL MOON PART 1: CHILD OF FIRE. Snyder's Dream Fulfilled = Viewer's Nightmare [REVIEW]
Snyder’s film is (by design) an epic tale reminiscent of the Star Wars world.
AQUAMAN AND THE LOST KINGDOM. A Sad Funeral for the DCEU [REVIEW]
The second ‘Aquaman’ is the final production of the ailing DCEU and a sad funeral for the universe that theoretically should have been a...
LEAVE THE WORLD BEHIND. This is how it would look [REVIEW]
The Netflix film may not appeal to every viewer, but it excels primarily in arousing anxiety and the accuracy of social commentary.
