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Radoslaw Buczkowski

THE BLOB. Tasty piece of science fiction thriller

THE BLOB. Tasty piece of science fiction thriller

In the 80s, four directors, probably flipping through cable channels somewhere in the middle of the night (that famous Hollywood-Colombian...

METAMORPHOSIS: THE ALIEN FACTOR. Juicy, niche science fiction

METAMORPHOSIS: THE ALIEN FACTOR. Juicy, niche science fiction

The plan for the next VHS session was very simple: I won’t praise American cinema this week, time for a bit of criticism.

STEEL DAWN. Proper 80's post-apocalyptic science fiction

STEEL DAWN. Proper 80's post-apocalyptic science fiction

The joyous ’80s, an arms race, and a frantic fear of nuclear annihilation – a goldmine for imaginative minds in low-budget, post-apocalyptic...

CYBORG. Post-apocalyptic science fiction with JCVD CYBORG. Apocalypse? Just bring it on!

CYBORG. Apocalypse? Just bring it on!

This movie is a solid piece of junk.

DARK ANGEL I COME IN PEACE Solid science fiction thriller

DARK ANGEL / I COME IN PEACE. Solid B-movie science fiction thriller

The matter is simple: after Dolph Lundgren had played a Russian a few times, defeated Skeletor, and lived in the sewers while taking down local...

BLIND FURY Gem of a movie

BLIND FURY. Gem of a movie

If there were a plebiscite for the most popular actor of the VHS era, I’m sure Rutger Hauer would rank very high, very high indeed.

ROAD HOUSE Truly masculine cinema

ROAD HOUSE. Truly masculine cinema

The core of the story is truly masculine cinema, where there’s plenty of ass-kicking, a few bodies drop, and perky boobs are in abundance.

SPLIT SECOND Full-fledged VHS-era science fiction thriller

SPLIT SECOND. Full-fledged VHS-era science fiction thriller

Don’t let this description mislead you into thinking that we’re dealing with a morally disturbing art-house cinema here.