Novocaine doesn’t reinvent the wheel, but it doesn’t promise more than it can deliver, making it a pleasantly surprising watch.

The Seed of the Sacred Fig is more than just solid political cinema—it has the potential to become a classic of Iranian cinema.

For the second time, after Nightmare of the Wolf, the decision was made to go with the Eastern anime style for The Witcher: Sirens of the Deep.

Nosferatu proves that in the 21st century, Robert Eggers is a formidable force in contemporary horror and historical costume cinema.

In Better Man, it’s easy to believe when Williams says he sees himself through the figure of the monkey.

Babygirl suffers from a lack of narrative cohesion and fully realized characters.

Sonic the Hedhehog 3 is an example of a blockbuster designed for holiday outings. Its accessible format appeals to both younger and older audiences.

It’s hard to shake the feeling that the primary motivation for Squid Game 2 was money.

Years go by, and horror still refuses to die.

Emily the Criminal stands out both as a crime thriller and as a classic indie movie.