The classic phrase often used by novice film critics fits perfectly here: this is a film that you either hate or love with all your heart.

One thing remains certain—you won’t find such a masterpiece, pulsating with so many different emotions, anytime soon.

“Palm Springs” is a bit like a chilled Sommersby.

“The Room Next Door” feels like a projection of a collection of thoughts directly from the untamed mind of a Spaniard. In this sense, the...

Envy, pride, misunderstanding, fear, desire, and personality breakdown.

“Blue Giant” would be a mere shadow of itself without an idea for staging the numerous concert sequences.

Federico Fellini has always made us feel like we are in a circus; his cinema navigates between absurd melancholy and colorful satire.

In the film “Emilia Pérez,” Jacques Audiard restores faith in the contemporary musical. Simply something beautiful.

“Horizon” is a spectacle that, as indicated by the film’s subtitle, is only the beginning of something much larger.

Cinema doesn’t always have to be taken seriously. After years, Francis Ford Coppola understood this and gave us “Megalopolis.”