You have to admit, for a horror movie made on a $200,000 budget, Clownhouse is genuinely terrifying—though not in the typical B-movie way.

The pace of Little Siberia does not rush toward its climax.

Wolf King from Netflix attempts to draw viewers’ attention to the idea that the theme of human shapeshifting can still be interesting.

The 1986 Little Shop of Horrors is a remake of the 1960 production by Charles B. Griffith and Roger Corman.

The pacing of Adolescence is slow, but that doesn’t make it boring.

People fight carnivorous plants, this is true, but the triffids are not invaders from space, as some viewers may have thought.

The Electric State incorporates many motifs.

Fugitive Mind — though cheaply made — is still worth some attention. Not because of any unique artistic value, but for its pure entertainment...

I don’t think the new Shrek is something to fear.

In the Polish crime world, an interesting TV series emerges from time to time. The only regret is that it's usually an adaptation or a screen...