
Odys Korczyński
For years he has been passionate about computer games, in particular RPG productions, film, medicine, religious studies, psychoanalysis, artificial intelligence, physics, bioethics, as well as audiovisual media. He considers the story of a film to be a means and a pretext to talk about human culture in general, whose cinematography is one of many splinters.

ADOLESCENCE: Behind the Scenes of a Crime [REVIEW]
The pacing of Adolescence is slow, but that doesn’t make it boring.

THE DAY OF THE TRIFFIDS Decoded: Surprisingly Multi-layered
People fight carnivorous plants, this is true, but the triffids are not invaders from space, as some viewers may have thought.

THE ELECTRIC STATE: Too Many Archetypes Hurt the Film [REVIEW]
The Electric State incorporates many motifs.

FUGITIVE MIND. B-grade science fiction, but with decent action
Fugitive Mind — though cheaply made — is still worth some attention. Not because of any unique artistic value, but for its pure entertainment...

Should we be AFRAID of the new SHREK because it's DIFFERENT?
I don’t think the new Shrek is something to fear.

JUST ONE LOOK. When There Are Too Many Mysteries [REVIEW]
In the Polish crime world, an interesting TV series emerges from time to time. The only regret is that it's usually an adaptation or a screen...

AMAZONS: A retro female revolution feared by conservatives
Paul Michael Glaser is not typically associated with niche B-movies distributed solely on VHS tapes, but Amazons perfectly fits that description.

CONQUEST OF SPACE. Sci-fi that inspired 2001: A Space Odyssey
Arguably the most interesting aspect of “Conquest of Space” is its visal layer and the influence it had on cinema.