Especially in its first half, Alice, Sweet Alice is an exceptionally terrifying film, perfectly capturing the dirty realism of cinema of that time.
A recent rewatch of the Spanish [REC] convinced me that it is not only one of the best horror films made in the found footage aesthetic...
Rarely does any work, whether a horror film or not, produce a special kind of excitement, reserved for something new and unique. Luz is such a...
There is horror, tension, but above all, absurdity, for can a nine-year-old girl, no matter how dangerous, be treated seriously in situations requiring adulthood?
The Haunting of Hill House is an outstanding ghost story, drawing both from the classics and from a modern reading of the haunted house motif.
Apostle maintains tension and possesses a grim energy, strengthened by occasional bursts of violence so that it does not bore for a single moment.
If someone does not particularly like horror films, they may go to see Thirteen Ghosts because of its excellent cast.
The Living Dead at Manchester Morgue contains enough originality and style that it is difficult to accuse it of derivative imitation.
The premiere of A Quiet Place years ago reminded me of another film in which the protagonists’ family tries to save the youngest from a beast...
The Two Faces of January proved to be an imperfect film—one that nonetheless offered a fair amount of pleasure to admirers of this kind of criminal...