Jason Isaacs and the directing duo of Honey Bunch, Madeleine Sims-Fewer and Dusty Mancinelli, discuss building trust and understanding each other’s needs.
The Living Dead at Manchester Morgue contains enough originality and style that it is difficult to accuse it of derivative imitation.
The premiere of A Quiet Place years ago reminded me of another film in which the protagonists’ family tries to save the youngest from a beast...
Even if the film lost certain threads along the way and lacked subtlety in developing some of its elements, Colossal ultimately radiated a deep love for...
High Life could have been a contemporary dialogue with genre masters, an absorbing science-fiction epic, or at the very least a solid adventure drama.
On one hand, Crimes of the Future is horror and nightmare; on the other, an essay and an intellectual exercise. It handles both exhaustively and boldly.
From the perspective of time, Shivers is a handful of crumbs from the Cronenbergian table of bodily macabre. All the necessary elements are there.
Infinity Pool is demanding and difficult cinema, but at the same time very satisfying, because it allows one to experience nearly boundary-pushing sensations.
This is cinema that stimulates the brain, hits the stomach, and leaves behind unease.
Rise premiered in March 2016. This short film, running about five minutes, was directed by David Karlak.