Fans of the genre should be delighted watching Blood Drive, especially those who feed exclusively on nostalgia and reach only for those really bad VHS films.
Landscape with Invisible Hand is a film with a multilayered structure, one that invites at least several viewings, each time revealing a different meaning
High-Rise is the most beautifully shot study of human downfall in years. All the component elements worked perfectly.
The Faculty is entertainment in its purest form, shameless in its utter lack of pretension and therefore charming.
Critters, even after all these years, remains a guilty pleasure—especially for those who took their first steps in cinematic awareness back in the days of VHS.
The creators of Mr. Hublot do not construct a multilayered world. They focus solely on a small fragment of it—a detail within the larger universe.
The Dead Don’t Die is a collection of quotations mixed in a cauldron of references and allusions. It's a postmodern pastiche and unfortunately a postmodern mush.
The film attempts to touch on something deeper through a story about mental illness and building isolating walls around oneself in a world of corporations and...
In the Shadow of the Moon has nothing genuinely engaging in it. As a result, the viewing experience is depressing — you’re watching wasted potential.
Brazil has everything: surreal imagery, dramatic tension, buffoonish jokes, and a remarkable atmosphere. Above all, after all these years, it still works.