Searching is not a film that struggles to capture online reality. Fortunately, it avoids simplistic cynicism or the tired tendency to demonize technology.
I instinctively lumped Ghostland together with horror films without any arthouse ambition. I was so wrong — I still feel chills as I write these words.
The Two Faces of January proved to be an imperfect film—one that nonetheless offered a fair amount of pleasure to admirers of this kind of criminal...
Like most family films, The War with Grandpa carries a moral, boiling down to the (perfectly valid) notion that peace is always preferable to war
Between a family drama and a blood-chilling story there is very little fluidity. And that is a pity, because The Monster could have been another gem...
Magical Nights is an enjoyable, witty film brimming with sharp dialogue. It lifts the spirits, especially for viewers deeply interested in Italian cinema.
Satan’s Slaves – the title of Joko Anwar’s film may seem misleading and suggest a completely different kind of horror than in reality. It is neither...
Fleabag is not easy to love or praise unconditionally. She is who she is. Yet the honesty that radiates from her inspires trust and affection.
Outlaw King stands as a respectable, competently crafted historical drama—perhaps not as iconic as Braveheart, but a worthwhile companion piece.
Under the Shadow creates a strong sense of unease and is not easy to decipher. It is certainly neither just a classic horror nor merely a...
