"Schizoid" is a fairly well-made film. The plot, though predictable, is engaging, the killer’s identity may come as a surprise, and Kinski exudes magnetism.
As for "King Solomon’s Mines," despite all its flaws and its clearly parodic tone, I can’t bring myself to condemn the film.
The Cabin in the Woods is a progressive cinema that ostentatiously rejects classical forms but it's also a pastiche of an intellectual and entertaining nature.
s much as the visual elements impress, "Elvis" stumbles somewhat in terms of drama and seems overly superficial.
"Alien: Romulus" is a strange hybrid that no one knows why it was born and, due to its flaws, is unlikely to challenge the status quo...
For films like In the Mood for Love, describing the plot should be forbidden, as even the slightest attempt cannot capture the essence of its poetic...
Emily in Paris will gather millions of viewers, dazzle with Instagram-worthy shots, and will most likely prompt Netflix to quickly start work on season five.
There's nothing new in Alien: Romulus for the series. Everything has been done in previous installments, yet Álvarez's film still remains a good Alien movie.
David Fincher plays with us cunningly and perversely. He found the perfect collaborator in Gillian Flynn, and the ideal material in her book, Gone Girl.
Friendship's Death is science fiction of ideas, where the theme of a visitor from another planet serves as a starting point to ask questions.