The seventh installment of Child’s Play is undoubtedly the most ambitious. It is an ideal combination of sentiment and fan expectations.
It is possible that the story takes place in the same world as the town of Twin Peaks.
The Lost Boys is deeply rooted in the style of 1980s adventure horror; unrestrained entertainment, visually intriguing, and at times genuinely funny.
Nothing in Raw will frighten you, but on the other hand it is incomparably better than yet another compilation of pathetic jump scares.
Bonejangles is an inside joke, created by horror fans for horror fans and should not be watched without extensive knowledge of horror cinema.
Jennifer’s Body remains an underrated satire with a very valuable reflection on our nature, punished for the fact that it failed to meet the expectations.
On one hand, Crimes of the Future is horror and nightmare; on the other, an essay and an intellectual exercise. It handles both exhaustively and boldly.
From the perspective of time, Shivers is a handful of crumbs from the Cronenbergian table of bodily macabre. All the necessary elements are there.
Infinity Pool is demanding and difficult cinema, but at the same time very satisfying, because it allows one to experience nearly boundary-pushing sensations.
With Dead Ringers, David Cronenberg added yet another intriguing and meticulously crafted study of human obsessions and pathologies to his filmography.