Not everything is clear in The Wailing, but thanks to that the horror penetrates under the skin even more strongly - an exceptionally intense experience.
The Greasy Strangler positively seethes with grotesqueness and eccentricity. A midnight movie? Probably not.
Let the Right One In draws one in, enchants, leaving the final interpretive path to each individual viewer.
An extraordinary atmosphere, surprising narrative solutions, and unusual characters are the hallmarks of Spanish horror cinema. The Orphanage has all of that.
The Broken is a horror and an existential drama - a very atmospheric and unsettling film that will appeal not only to aficionados of doppelgänger duels.
The Faculty is entertainment in its purest form, shameless in its utter lack of pretension and therefore charming.
We can only wish for more productions like Silent Hill. It’s coherent, atmospheric, and makes an impression even on viewers who are not fans of the...
On a directorial level The Other Side of the Door strikes the right notes, skillfully awakening fear and building tension.
In the age of found footage, sloppy handheld camerawork, and an exceptionally limited visual imagination among contemporary horror directors, The Hallow feels like a return to a horror...
Lake Placid is permeated with a parodic note: at heart, it is above all an unpretentious mockery of monster movie conventions.