Setting aside Sony’s aforementioned nightmares, even the third Ant-Man could probably learn a thing or two from Madame Web.
In Pom Poko, a wide array of themes, motifs, and ideas associated with Studio Ghibli come together and accumulate.
Let the Right One In draws one in, enchants, leaving the final interpretive path to each individual viewer.
The Founder is a solid, by-the-numbers biopic. It’s hard to be bored by it, but equally hard to be deeply moved by any particular element.
Drag Me to Hell is several dozen minutes of pure fun with horror convention. In other words: pure joy of creation and an equally unclouded pleasure...
Wonderstruck is cinema of form. By depriving the actors of their voices, the director directs our attention to the image as the carrier of content and...
Although in Little Joe the puzzle is not all that difficult for the viewer to solve, Hausner’s film remains unusual cinema and a refreshing genre offering.
An extraordinary atmosphere, surprising narrative solutions, and unusual characters are the hallmarks of Spanish horror cinema. The Orphanage has all of that.
The Breadwinner is demanding cinema and an important voice addressing an important issue.
The Broken is a horror and an existential drama - a very atmospheric and unsettling film that will appeal not only to aficionados of doppelgänger duels.
