Bloodride should be treated as a solid craft work for those who appreciate quick solutions without the need for elaborate world-building.
Night of the Creeps is about playing with clichés, putting them side by side to see the result. Through it all runs genuine respect for cinema.
Dawn of the Dead is solid cinema that does not diminish the legacy of Romero’s classic living dead, and... Tom Savini makes a cameo.
The Crazies was intended as a satire of the military and government. The social context is key: Romero made the film shortly after the Watergate scandal...
Remove the zombies from Night of the Living Dead and we see we need them not to turn our lives into hell. Hatred and stupidity are...
And what of fear in Dead of Night? someone may ask. Fear not—it’s there. At first hidden, it gradually asserts itself, waiting for the opportune moment.
In Magic, you will not find a puppet springing from the darkness. Instead, it abounds in suspense, an atmosphere of the uncanny, carefully calibrated tension.
King once said that he does not write horror, but rather psychological dramas that happen to be horror. Castle Rock attempts the same...
Buffy the Vampire Slayer still remains a piece of great tv. When you wipe away the dust of vampires, what remains is a juicy piece of...
This is not a friendly, optimistic story, no feel-good nonsense expected from uplifting tales. In the Flesh is rather brutal realistic, sober, and not overdone.