Satan’s Slaves – the title of Joko Anwar’s film may seem misleading and suggest a completely different kind of horror than in reality. It is neither...
The script of Leatherface contains a story compelling enough that the screening does not resemble a compilation of unrelated cruel murders.
The Lost Boys is deeply rooted in the style of 1980s adventure horror; unrestrained entertainment, visually intriguing, and at times genuinely funny.
Jennifer’s Body remains an underrated satire with a very valuable reflection on our nature, punished for the fact that it failed to meet the expectations.
Let the Right One In draws one in, enchants, leaving the final interpretive path to each individual viewer.
The Faculty is entertainment in its purest form, shameless in its utter lack of pretension and therefore charming.
Despite the bloody horror convention—bodies pile up, and after six minutes of screening we already have two corpses—it is a work not devoid of deeper meaning.
A good horror works this way: despite glaring ugliness, it does not allow you to look away. The Texas Chain Saw Massacre welds you to the...