Review
LA STRADA. Federico Fellini's Tender Masterpiece
Federico Fellini has always made us feel like we are in a circus; his cinema navigates between absurd melancholy and colorful satire.
UN CHIEN ANDALOU / AN ANDALUSIAN DOG. Intriguing phantasmagoria
Since André Breton’s manifesto in 1924, the world has gone mad.
THE ROYAL HOTEL. A Feminist Vacation Thriller in the Australian Outback [REVIEW]
“The Royal Hotel” is a successful and terrifying film, a complex depiction of the aggression women face daily worldwide.
SLEEP DEALER. Dystopian science fiction inspired by, among others, "Blade Runner"
In “Sleep Dealer”, there was an opportunity for a deeper analysis of a dystopian reality, but Rivera only skims the surface of these...
TRIGGER WARNING. Cinema in a male way, yet FEMALE, or vice versa
To effectively challenge male-centric cinema in the style of “Commando” or “Rambo,” you need more than just swapping an actor...
HARAKIRI and SAMURAI REBELLION. Masaki Kobayashi's Masterful Jidaigeki
Japanese cinema presents numerous challenges when attempting a comprehensive analysis, description, and extraction of valuable conclusions.
AMPHIBIAN MAN: Romantic Science Fiction of Soviet Production
“Amphibian Man” is the first blockbuster of the post-Stalin era – a fantasy, adventure, and romance set in a subtropical marine climate....
FEDERER: TWELVE FINAL DAYS: A Film That Wasn't Supposed to Be, but Is and Moves to Tears [REVIEW]
Regardless of what you seek in cinema, I have a piece of advice for you before watching Federer: Twelve Final Days. Prepare a pack of tissues.