Review
INNOCENT SORCERERS. A masterful celebration of youth
Among Andrzej Wajda’s historical and social works, there is a remarkable piece of poetry.
THE SUBSTANCE. The Two-Body Problem [REVIEW]
Coralie Fargeat either went too far in “The Substance” or ascended to an artistic Olympus.
THE LAST DAY OF SUMMER. Can one love after the war?
Although in 1958 the Polish Film School, one of the most important movements in the history of Polish cinematography, had been informally operating...
Horizon: An American Saga - Chapter 1. Unforgiven [REVIEW]
“Horizon” is a spectacle that, as indicated by the film’s subtitle, is only the beginning of something much larger.
NIGHT TRAIN. A hope that someone is waiting at the end of the journey
When discussing the Polish Film School, the first thing that comes to mind is, of course, the outstanding works attempting to deal with the trauma of...
KINGDOM OF THE PLANET OF THE APES. Profaning Caesar's Legacy and Monkey (R)evolution. [REVIEW]
Do I see prospects for a new, good trilogy in Kingdom of the Planet of the Apes? Yes.
KNIFE IN THE WATER. Roman Polanski Astonishing Debut
Knife in the Water is the first feature film directed by Roman Polanski.
KINDS OF KINDNESS. Kinds of nonsense [REVIEW]
“Kinds of Kindness” feels like a sketch, a film exercise done in between larger projects. It can be a reflection on rejection and...