The Sender isn’t about lofty analyses of human-alien relations

At the beginning, there was the word. Written.

Mamma Mia! is a classic romantic comedy, spiced with music beloved by generations.

Wyatt Earp is a character perfectly suited for cinema.

Babygirl suffers from a lack of narrative cohesion and fully realized characters.

Tides is neither as spectacular nor as entertaining as Waterworld.

There are films that only gain value over time.

Destroyer is undeniably Nicole Kidman’s showcase.

Some people know this firsthand.

I fear Hound’s Hill will fade into the crowd of Polish crime series vying to become cult classics while taking the easy route by relying on...