The Promised Land or (Bastarden originally) has something about it; perhaps it's a certain indescribable allure, an attractive concentration of events
RoboCop is one hell of a film! Pay attention to the clarity and necessity of all the components, its beautiful intonation contrasting with the grim subject...
Don't let this description of Split Second mislead you into thinking that we're dealing with an art-house cinema here, because we have a full-fledged scifi thriller...
Death Machine is an atmospheric blend of a horror with trapped characters hunted by an indestructible beast, combined with a cyberpunk setting and sensibility.
Bochniak's film is first and foremost patronized by the Safdie brothers.
Sam Raimi wanted to make Batman or The Shadow, but when it turned out that the rights to both had already been sold, he created his...
For many Attack of the Killer Tomatoes is a true cult gem. Let it be a reminder that cinema can be incredibly creative, even if it...
Cinema becomes the final battleground, and film stars and film critics contribute to the victory.
Time is a relative concept. Whether the constructions of cinematic time travel machines align with science or lean more toward the loose rules of entertainment
Isao Takahata in Grave of the Fireflies finds the perfect cinematic language that combines the necessary dramatic weight with a fairy tale aura with no mercantile...