On a visual level, Mute is indeed a truly Blade Runner-esque spectacle, with landscapes of a futuristic city and dark alleys lit only by neon lights.
Entering the world of Luther, one can easily get lost in it. Unconventional cases, great characters, and London teeming with deviants make it hard to look...
One can only hope the poor kids of Stranger Things won’t be forced to keep reprising their roles until their hair turns grey and their faces...
Alpha is an ugly film. Unwelcoming, at times repulsive, and not one you’d rush to rewatch. And yet it strikes a wide range of emotional chords.
Utopia possesses that mythical something that suggests a lot. Cult status? There’s something to it. Utopia has something that won’t let it be forgotten.
Nouvelle Vague is a love letter to Godard’s artistic ego. To say that it merely draws inspiration from the making of Breathless would be a gross...
Today we’ll take a closer look at Columbo, whose titular hero is a likeable, albeit slightly pesky, lieutenant in the LAPD homicide division.
Dark Shadows possessed one element that still sets it apart—an incredibly dense atmosphere of horror and uncertainty, which captivated the hearts of millions.
Die, My Love, one of the most anticipated entries in this year’s Cannes competition, is an ecstatic, feral, and deeply contradictory film.
Wes Anderson seemingly knows exactly what he’s doing—but sadly, he’s lost his way. The Phoenician Scheme is yet another example of the artistic stagnation.
