Cinema has always had a particular fondness for dramatic moments of parting—between friends, lovers, or a mentor and their pupil. Don Hall’s Strange World (Big Hero...
The greatest strength of Piranha 3D is its unpretentiousness, joy and sense of humor, which is often lacking in even the most efficiently made slashers.
Sausage Party is neither a hymn to vegetarianism nor an encouragement to eat meat. It is also not a mockery of gluttony or deranged consumerism.
Ruben Brandt, Collector is a film that is formally refined and narratively intricate.
Thanks to distance, awareness, and having fun, the viewer also starts to have fun with the film. Screw all the Annabelle and [REC], watch Zombeavers!!!
The director of Wendell & Wild knows that the sight of a calm, cloudless sky is incomparably more majestic when it is preceded by a horizon-spanning...
The premiere of The Emperor’s New Groove (2000) crowns the Disney Renaissance—the studio’s extraordinary 1990s.
The Babadook appears as something unusual, fresh, close to art-house cinema, yet efficiently employing horror elements.
The creators of Mr. Hublot do not construct a multilayered world. They focus solely on a small fragment of it—a detail within the larger universe.
My Life as a Zucchini is far removed from cinematic didacticism, yet it holds enormous educational potential—above all for adults.