You know that feeling when you go down to the basement, turn on the light, take a jar of jam, and then, after turning off the...
Following the model of the best horror films, terror, nightmare, and evil in Birdboy are not merely technical exercises in cultivating an oppressive mood.
The greatest value of A Most Violent Year lies precisely in the fact that Abel does not cross certain boundaries.
Carnival of Souls captivates with its extraordinary atmosphere, causing the viewer to experience something comparable to attending a funeral ceremony.
The Vatican Tapes will not go down in cinema history. They probably weren’t made with that ambition in mind either.
Like the previous adaptation, the creators of Hitman: Agent 47 also tried to humanize the title character somehow, to give him personality.
This adaptation of Henry James’s novel seduces the viewer discreetly, only to leave them in the finale with a feeling of sadness and bitterness.
Nora Twomey, the director of My Father’s Dragon, structures her film as a series of dramatic miniatures and moral dilemmas.
Joachim Trier probably won’t give you answers, but he should offer a perspective worth considering. The Worst Person in the World has therapeutic potential.
A good horror works this way: despite glaring ugliness, it does not allow you to look away. The Texas Chain Saw Massacre welds you to the...