TRAP. Don't Catch Me If You Can't [REVIEW]
Trap can provide a lot of fun if we are immune to scriptwriting sloppiness and staging chaos.
AMERICAN PSYCHO. Controversial Shocker Explained
The 90s were a decade during which the thriller genre enjoyed immense success.
Is "Gladiator" already a TIMELESS classic?
I would be cautious in labeling “Gladiator” as flawless and completely fulfilled cinema.
MAXXXINE. The Pearl of the X Muse
Maxxxine has tonal flaws, abruptly shifting from believable drama to absurd slapstick.
LUCA. The Universe in a Glass of Water
Luca is a cinema of comfort. A cinema of delicate gestures, dealing with balance, the formation of identity, and reminding of the value of every...
A QUIET PLACE: DAY ONE. The Storm Before the Silence [REVIEW]
The strongest asset of Day One is that it doesn’t follow the beaten and proven path but seeks something new.
HARAKIRI and SAMURAI REBELLION. Masaki Kobayashi's Masterful Jidaigeki
Japanese cinema presents numerous challenges when attempting a comprehensive analysis, description, and extraction of valuable conclusions.
INSIDE OUT 2. Mixed Feelings [REVIEW]
It might have seemed that the creative possibilities for Inside Out 2 were unlimited.
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