Maciej Niedźwiedzki

The strongest asset of Day One is that it doesn’t follow the beaten and proven path but seeks something new.

Japanese cinema presents numerous challenges when attempting a comprehensive analysis, description, and extraction of valuable conclusions.

It might have seemed that the creative possibilities for Inside Out 2 were unlimited.

Parthenope is everything you love and hate about Paolo Sorrentino’s cinema.

Baker is not just a “representative of the American New Wave.” With his previous Red Rocket and this year’s Anora, he proves to be a one-man...

“Kinds of Kindness” feels like a sketch, a film exercise done in between larger projects. It can be a reflection on rejection and...

“The Girl with the Needle” has a script that Lars von Trier or David Lynch would certainly find intriguing.

Quentin Dupieux knows how to capture the viewer’s attention, because perhaps nothing works more effectively than the recurring doubt:...

The creators of “The First Omen” are well aware that they have achieved something decidedly more than just an homage to the legendary Omen...

“Irrational Man” unfolds on two thematic levels. On one hand, it’s an intergenerational romance, on the other, an existential...