Maciej Niedźwiedzki

“101 Dalmatians” is a film stitched together a little differently.

“Dinosaur” went down in history as the first film where Disney, working independently, ventured into computer animation.

Coralie Fargeat either went too far in “The Substance” or ascended to an artistic Olympus.

As much as the visual elements impress, “Elvis” stumbles somewhat in terms of drama and seems overly superficial.

Trap can provide a lot of fun if we are immune to scriptwriting sloppiness and staging chaos.

The 90s were a decade during which the thriller genre enjoyed immense success.

I would be cautious in labeling “Gladiator” as flawless and completely fulfilled cinema. 

Maxxxine has tonal flaws, abruptly shifting from believable drama to absurd slapstick.

Luca is a cinema of comfort. A cinema of delicate gestures, dealing with balance, the formation of identity, and reminding of the value of every...

The strongest asset of Day One is that it doesn’t follow the beaten and proven path but seeks something new.