In Phantasm, you can feel the love for cinema in every scene, in every seemingly absurd idea, in the brazen playfulness with the audience.
Nightwatch never resorts to excessive imagery; it prefers to suggest or show the effect of the madman's actions rather than the act of violence itself.
In Don't Look Now Roeg doesn't want us to laugh or terrify us in the typical manner of horror creators. Instead, he leaves us in a...
After almost four decades, Re-Animator rightfully holds its place in the pantheon of horror. It continues to surprise with its energy and the macabre.
Lycanthropy hasn't been lucky in cinema, however the top of the list always looks the same: Landis's An American Werewolf in London and Dante's The Howling.
After the screening of The Fog, there is a sense of fulfillment left in the viewer – it's a film that lets you derive joy from...
The Hitcher. Riders on the storm. There’s a killer on the road. According to the screenwriter, Erik Red it all began with a song by The...
It's challenging to find another film that even resembles the style and atmosphere of Suspiria, with its frenetic energy, visual aesthetics, and uniqueness.
Death Machine is an atmospheric blend of a horror with trapped characters hunted by an indestructible beast, combined with a cyberpunk setting and sensibility.
Sam Raimi wanted to make Batman or The Shadow, but when it turned out that the rights to both had already been sold, he created his...