The strength of Fallen lies in its deadly seriousness, the grim tone of the narrative, and a constant sense of surrounding danger.
In the first scene of Dagon, we get a shot worthy of Lovecraft, perfectly depicting the enormity of mystery, horror, and evil...
Hickox in Waxwork strikes the perfect balance between horror and comedy about contemporary bourgeois individuals confronting their worst nightmares.
I wouldn't go as far as to call The Beyond surrealist, but the last strangely poetic and moving image suggests the intentions go beyond the realm...
The dark tone of The Beast Within surprises with its seriousness amid the more lighthearted horrors of that decade.
Jacek Koprowicz's Medium is considered by many to be the best and genuine horror movie made in Poland, and not without reason.
The Prophecy remains an example of perhaps one of the most interesting depictions of angels, although they probably don't wear long coats and hunt children.
Like the internet, Videodrome is an uncontrolled media entity that expands and increasingly absorbs the human mind and body.
The Changeling is a very elegant horror film, avoiding macabre elements in favor of a mysterious atmosphere, characteristic of haunted house tales.
Although the director didn't like to label Eyes Without a Face as horror, he undoubtedly drew from the benefits of the genre, unafraid to use shock...
