One might say that in 28 Days Later, a world devoid of bonds cultivated through societal and technological evolution has turned upside down...
Daybreakers looks really decent. The music, cinematography, effects, set design, or even creature design – everything works together and makes an impression.
Cube 2: Hypercube turned out to be a decent, at times very good, film. Andrzej Sekula's movie is a solid dose of engaging entertainment.
The Stepford Wives mocks the stereotype of the housewife, there are also satirical jabs at various others – the aggressive businesswoman, and even gays and Jews
Paul Verhoeven made Hollow man that, despite not being very ambitious science fiction, is a great watch, and that's probably the point.
The beginning of Splice does not herald anything bad. The raw and cold shots, in a restrained color palette, occasionally taken from an interesting perspective.
The atmospheric shots of Nosferatu in Venice, capturing the fog-shrouded Venice through Nardi's lens, present the city beautifully: mysterious and impenetrable.
Black Sunday may not be as groundbreaking for cinema as Citizen Kane, but ithey both belong to the best directorial debuts in the history of cinema.
Banned in many countries, heavily censored elsewhere, The Evil Dead hasn't lost any of its energy and ruthless imagination, remaining a horror classic
A Nightmare on Elm Street and New Nightmare has been discussed and analyzed extensively, but it's hard to underestimate the importance of Wes Craven's films.
