F Is for Family - to hell with correctnesses and other restrictions – let humor at least be a refuge and a tool for creators to...
The very beginning of The Wind makes it clear what kind of production we are dealing with—one that tells its story primarily through imagery, not dialogue.
War of the Worlds is an anti-surveillance film at heart. The aliens come to steal our precious data, and the indirect culprits turn out to be...
Little Fires Everywhere falls a bit short of perfection, but it is still a very good series. The whole is kept in a consistent, engaging style.
Whether it was Stone clinging to her past stardom or producers trying to milk a dead franchise, the result is the same: Basic Instinct 2 is...
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Went up the hill is not another ghost story, but a haunting meditation on how toxic love can outlast death and devastate those left in its...
The message of I Know This Much Is True is painfully true. One must, like the biblical Job, stand naked before fate, and humbly accept its...
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What a great cinematic summer this is! Nobody 2 proves that “bigger” and “louder” don’t have to mean “worse.” What we get is a distilled shot...
Vivarium is a visually very consistent film: rows of green buildings stretching to the horizon, sterile interiors of the houses, and a perpetually blue sky.
Ju-On: Origins, three-hour chronicle of death lacks shock value and solid scares, but for a 20-year-old series, it is not bad.
