A.I. Artificial Intelligence is Pinocchio set in an apocalyptic future. It's exceptional, multi-layered, universal and terrifyingly relevant piece of sci-fi.
"Crawl" is an incredibly condensed love letter to the animal attack genre combined with disaster cinema. A simple, bloody, and honest story.
Despite the fact that Kleiser's first theatrical film became an instant hit in 1978, today "Grease" feels a bit archaic and campy.
Jesus Christ Superstar is constructed on the principle of contrasting Jesus and Judas while simultaneously showing how similar these two characters were.
This is yet another example of cinema confronting the passage of time, but "The Age of Adaline" does so from a new perspective.
The plot of "Omega Doom" is based on a worn out concept: humans created the desired robots, and they rebelled, triggering a total war.
The series feels like observing a psychological experiment. Hannibal Lecter is the scientist conducting the study, with the other characters as the participants
"The Crow" excels in nearly every aspect. The atmosphere is heavy, depressive, dark, though that word has taken on a somewhat humorous tone lately.
A major strength of "Coup!" as a satire in the "eat the rich" genre is its objectivity and fairness. The filmmakers seem not to take sides...
It seems Michael Haneke, not only in 71 Fragments of a Chronology of Chance but also in many of his other works, has found the answer...
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