![PASSAGES. Pain of Existence and Triangles [REVIEW]](https://filmfolly.com/wp-content/uploads/2025/09/PASSAGES.-Pain-of-Existence-and-Triangles-REVIEW-400x240.jpg)
![PASSAGES. Pain of Existence and Triangles [REVIEW]](https://filmfolly.com/wp-content/uploads/2025/09/PASSAGES.-Pain-of-Existence-and-Triangles-REVIEW-80x80.jpg)
The decadent flavor of Passages brings to mind the spleen of the French New Wave or its spiritual heirs in the form of creators such as...
![BRING HER BACK. Grief, Despair, and Horror [REVIEW]](https://filmfolly.com/wp-content/uploads/2025/09/BRING-HER-BACK.-Grief-Despair-and-Horror-REVIEW-400x240.webp)
![BRING HER BACK. Grief, Despair, and Horror [REVIEW]](https://filmfolly.com/wp-content/uploads/2025/09/BRING-HER-BACK.-Grief-Despair-and-Horror-REVIEW-80x80.webp)
While Bring Her Back may not quite be a masterpiece, it’s a top-tier entry in the modern horror genre – and that masterpiece feels just around...
![THE QUAKE: Earthquake in Norway [MOVIE REVIEW]](https://filmfolly.com/wp-content/uploads/2025/09/THE-QUAKE-Earthquake-in-Norway-MOVIE-REVIEW-4-400x240.webp)
![THE QUAKE: Earthquake in Norway [MOVIE REVIEW]](https://filmfolly.com/wp-content/uploads/2025/09/THE-QUAKE-Earthquake-in-Norway-MOVIE-REVIEW-4-80x80.webp)
The Quake leaves us with a sobering takeaway: disaster can strike at any moment, and our warning systems may not be enough to protect us.
Panahi returns with a narrative feature that abandons the blending of reality layers—and does so in such style that It Was Just an Accident won the...
Dreams (Sex Love) leans closest to traditional drama, though it still leaves room for subtle humor. The third film wraps up Haugerud’s exploration relationships
![SIRAT: The Trance Pulse of the Apocalypse [REVIEW]](https://filmfolly.com/wp-content/uploads/2025/09/SIRAT-The-Trance-Pulse-of-the-Apocalypse-REVIEW-400x240.webp)
![SIRAT: The Trance Pulse of the Apocalypse [REVIEW]](https://filmfolly.com/wp-content/uploads/2025/09/SIRAT-The-Trance-Pulse-of-the-Apocalypse-REVIEW-80x80.webp)
With his fourth film, Oliver Laxe emerges as a distinctive name in the landscape of contemporary arthouse cinema. Sirat is his most complete work to date.
Mr. Jones is another strong entry in Holland’s filmography, demonstrating her ability to tell difficult stories while maintaining high artistic standards.
![THREE LOVES. Bold and Distinctive [REVIEW]](https://filmfolly.com/wp-content/uploads/2025/09/THREE-LOVES-Bold-and-Distinctive-REVIEW-400x240.webp)
![THREE LOVES. Bold and Distinctive [REVIEW]](https://filmfolly.com/wp-content/uploads/2025/09/THREE-LOVES-Bold-and-Distinctive-REVIEW-80x80.webp)
Three Loves may not be perfect, but it’s bold, distinctive, and proof that there can be flair and finesse in even the most unexpected corners of...
Italian Studies by Adam Leon, a film that could most succinctly be described as “a movie in which Vanessa Kirby wanders around New York in a...
Brick is a painfully by-the-numbers production, made for playing in the background while you do chores. Even if you miss parts of it, you won’t lose...