Despite false tones, Emily the Criminal offers a lot of good film fun, additionally, one way or another, triggering threads of social criticism.
Even if Cocaine Bear suffers from the inequalities of the script, it is compensated by the arrangement of the action and the film as a whole...
"The Devil’s Bath" is not another story about witches.
"Nightbitch" situates itself between a critical stance that depicts motherhood as social oppression and an affirmation of motherhood as an emotional experience.
"Bang Bang" sounds a bit like a gritty version of "Rocky" or similar films about the tear-filled, sweat-drenched path to success and redemption.
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![OH, CANADA. Paul Schrader’s Reckoning Elegy [REVIEW]](https://filmfolly.com/wp-content/uploads/2025/09/OH-CANADA.-Paul-Schraders-Reckoning-Elegy-REVIEW-80x80.webp)
Despite its thematic ambition, stylistic experiments, and meta-cinematic layers, Schrader’s film "Oh, Canada" ultimately feels lackluster.
"Hellboy: The Crooked Man" ultimately falls short and feels painfully mediocre. The film’s execution fails to match the good conceptual ideas.
The Demon Disorder builds an intimate horror story in which the brothers must confront not only the unclean forces at play but also their own fears.
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It’s inevitable that "The Apprentice" will be seen in a political context, but the creators distance themselves somewhat from contemporary politics.
"Mutiny in Heaven" reconstructs the band’s history, from their humble beginnings through the traumatic emigration to England, U.S. tours, up to the Berlin phase