
Tomasz Raczkowski
Anthropologist, critic, enthusiast of social cinema, British humor and horror films.

THE THIRD PART OF THE NIGHT. Oneiric Apocalypse In A Godless World
War cinema, especially Polish war cinema, is rarely associated with oneiric escapades and surreal convolutions.

AUTUMN SONATA. Jaw-dropping duo of Ingrid Bergman and Liv Ullmann
The cinema of Ingmar Bergman had a feminine face.

THE DEVIL'S EYE. Because Ingmar Bergman also made comedies!
Ingmar Bergman’s cinema is primarily associated with heavy, psychological dramas characterized by refined structure and multi-layered meanings.

HOUR OF THE WOLF. Psychological horror by Ingmar Bergman
Hour of the Wolf, according to Scandinavian folklore, is the darkest moment of the night, when the most deaths and births occur.

The Moon Landing by Kubrick And Other Movie-related Conspiracy Theories
Some movies become cult classics, while others provoke viewers to create complex theories about the plot.

MEMORY. This film embeds itself in the mind and gets under the skin [REVIEW]
“Memory” is at times an outright thrilling film, expertly seducing the viewer with subtexts and a suitable mixture of escalation and...

THE OUTRUN. Scottish Detox [REVIEW]
The director of “The Outrun” could have toned down the segments that could be directly transferred to tourist brochures of the region.

EMPIRE. Star Wars made in France
“Empire” is a tour de force and to some extent the quintessence of Bruno Dumont’s current phase of work – a bold, bizarre film...