Watching the short six-episode season of The Duchess is best treated as a case study in feminism gone wrong, however some of Katherine’s jokes do hit...
Penny Dreadful: City of Angels has scenes worth appreciating the creators for the technical aspects, but one would like to receive a more coherent story.
The message of I Know This Much Is True is painfully true. One must, like the biblical Job, stand naked before fate, and humbly accept its...
Dare Me certainly provides space for discussion about how young women are portrayed in pop culture, both in terms of their physicality and sexuality.
Avenue 5 is an excellent example that mere criticizing and the banal statement that the rich are stupid, and capitalism is bad is simply not enough.
The creators of Freud have enormous ambitions, yet the result of their efforts is merely the construction out of well-known tricks of a banal crime story.
Into the Night is not the dreamed-of adaptation of Dukaj’s prose. The writer deserves much more; his artistic thought reaches far beyond uncomplicated tales.
The English Game: matches, rivalry, and in the end friendship across divisions—are these not precisely the kinds of productions we seek in difficult times?
Over seven episodes, I Am Not Okay with This comprises of hesitations, stumblings, comedies of error, and charming moments free of heavy-handed stylization.
Bloodride should be treated as a solid craft work for those who appreciate quick solutions without the need for elaborate world-building.