When discussing the beginnings of Ridley Scott's career, Alien and Blade Runner are often mentioned first, while the earlier The Duellists is rarely brought up.
"Saint Maud" is primarily a psychological drama that leans towards horror, not just in theme.
A Bigger Splash doesn’t want to leave your head, making the viewer ponder over the choices made by the characters and the consequences of their decisions.
"The Vast of Night" works both as a tribute to the tradition of American sci-fi and as a portrayal of that culture—beautiful, pure, and now inaccessible.
Despite Kawalerowicz avoiding pessimism in the finale of Night Train, he leaves the viewer in a state of sadness that does not, however, feel depressing.
Published in 1959, Lem's The Investigation starts from an improbable, strange, and incomprehensible situation. Not only unsolvable, but without a culprit.
3 Days to Kill is surprisingly enjoyable to watch. Perhaps it's thanks to Costner not seen in such cinema for a long time, who carries the...
The director of Side Effects manages to make the whole audience jump in their seats when the right moment comes. And then it gets even better.
The diptych about The Collection is actually a story of the clash between an almost indestructible killer and a man who also seems indestructible.
In Sightseers, there's a lot of laughter about death and "love." The director shows murder scenes in an uncompromising way, not sparing even poor Poppy the...