THE COLLECTION. Because a horror is only as good as its villain
One must know what they’re dealing with The Collection, advertised as a thriller by the screenwriters of Saw IV, V, VI, VII, is exactly what it...
Natural born... SIGHTSEERS. The blackest of comedies
It’s easy to understand the main character of Sightseers, Chris. His bloody odyssey hides a desire to fix the world.
SINISTER. The horror of facing the unknown
The movie opens with an exceptionally gruesome execution scene…
HAPPY DEATH DAY. A slasher Groundhog Day
“Happy Death Day” surprisingly lacks tension and bloodshed to impress horror fans.
THE ENDLESS. Mysterious and engaging science fiction horror
Brothers Aaron and Justin escaped from a cult ten years ago.
LUCY. Besson's best science fiction since The Fifth Element
A packed cinema hall on the day of the premiere, and already during the screening, a noticeable division emerges…
THE AUTOPSY OF JANE DOE. Intimate, effective horror
“The Autopsy of Jane Doe” is an extremely effective horror, relying on something that is usually a last resort for creators of this genre....
INDEPENDENCE DAY: RESURGANCE. Science fiction most entertaining when absurdity reaches its peak
Independence Day: Resurgence is a missed opportunity for several reasons.
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