We’ve got plenty of shows set in police environments – some of them excellent – but very few resemble The Killing. You can completely sink into...
Oxygen is a well-crafted, slightly over 90-minute unraveling of a mystery, centered around a brilliantly acted protagonist who is the sole focus of the film.
All attempts to form an emotional bond between the viewer and the characters fall flat. The Midnight Sky ends up as empty as the catastrophe-ravaged Earth.
Fortunately, the series avoids a simplistic anti-clerical tone. The Keepers is seven hours of truly powerful, devastating, and deeply unsettling cinema.
I can easily imagine The Perfection in the hands of a South Korean director, someone skilled at navigating the borders of genre, tone, and convention.
Infiesto is a fairly predictable "procedural", which, in addition, moves through the subsequent stages of the investigation at a surprisingly fast pace.
One can only hope the poor kids of Stranger Things won’t be forced to keep reprising their roles until their hair turns grey and their faces...
I want to emphasize I was, quite simply, enchanted by Away. This is exactly the kind of variation the science fiction genre needed.
iBoy is a bit like an old mobile phone we’ve grown used to over the years—simple, lacking many functions, with its flaws, but familiar and pleasant...
The Discovery is built around a question that everyone has asked themselves, so it doesn’t take much motivation to give it a try.