"The Stranger" by Thomas M. Wright, Netflix's latest crime drama straight from Australia, draws you into the story it tells.
Chernobyl: Abyss is primarily an impulsive creation. While it contains noteworthy elements, Daniil Kozlovsky couldn't connect them into a coherent vision.
The pace of Little Siberia does not rush toward its climax; instead, it slowly introduces characters and weaves threads of events until an unconventional ending.
Wolf King from Netflix attempts to draw viewers' attention to the idea that the theme of human shapeshifting can still be interesting.
The only thing A Girl and an Astronaut has to do with space is logic and originality that soar somewhere in a galaxy far, far away.
Adolescence isn’t entirely about the crime itself, but rather about what the main suspect experiences and how the defense, and the prosecution operate.
The Electric State incorporates many motifs. For seasoned sci-fi fans, they will seem familiar and obvious, but younger viewers may experience them differently.
Just One Look manages to navigate its complex narrative with strong technical execution and form, preventing it from being overwhelming.
Aside from the central premise and a few key rules regarding communication with the past, Mirage is more of a character-driven drama.
Simona Kossak, Polish movie starring Sandra Drzymalska, will likely be a surprisingly positive choice among the socially engaged films of the past decade