Drag Me to Hell is several dozen minutes of pure fun with horror convention. In other words: pure joy of creation and an equally unclouded pleasure...
Wonderstruck is cinema of form. By depriving the actors of their voices, the director directs our attention to the image as the carrier of content and...
Although in Little Joe the puzzle is not all that difficult for the viewer to solve, Hausner’s film remains unusual cinema and a refreshing genre offering.
An extraordinary atmosphere, surprising narrative solutions, and unusual characters are the hallmarks of Spanish horror cinema. The Orphanage has all of that.
The Breadwinner is demanding cinema and an important voice addressing an important issue.
The Broken is a horror and an existential drama - a very atmospheric and unsettling film that will appeal not only to aficionados of doppelgänger duels.
Nitram is dramatically powerful. Nitram is existentially sad. Nitram is piercingly cold. Nitram sustains an uncomfortable sense of helplessness throughout.
The Faculty is entertainment in its purest form, shameless in its utter lack of pretension and therefore charming.
Coppola knows the genre’s rules and history, and in On the Rocks dresses a story about a woman uncertain of her husband’s fidelity in sensational trappings.
We can only wish for more productions like Silent Hill. It’s coherent, atmospheric, and makes an impression even on viewers who are not fans of the...
