In the finale of “They Shot the Piano Player,” Harris restores the memory of Tenório through a book – Trueba and Mariscal do exactly...

The fourth “Beverly Hills Cop” is one of the better legacy sequels and continues the series with honor.

The third part of “Beverly Hills Cop” was a financial and artistic failure, burying plans for Axel’s return to the screen for a long...

Last Night in Soho marks an important episode in Edgar Wright’s career, hopefully heralding more non-comedy projects from the British director.

“No Escape” can be considered an expensive B-movie with aspirations of being a blockbuster.

Darren Aronofsky directed Pi in 1997 when he was twenty-eight years old and, like nearly every novice, he faced a significant issue – a lack of...

The Queen’s Gambit is a profoundly feminist story. Beth repeatedly overcomes sexism, disregard, and exclusion due to her gender with her outstanding...

“Blue Giant” would be a mere shadow of itself without an idea for staging the numerous concert sequences.

The inventive world-building is the greatest asset of “Vesper.” The post-apocalyptic reality is exceptionally convincing, almost alive.

The boundaries of the horror genre have always been a contentious issue for film scholars and critics.