A lot of money was spent on All Of Us Are Dead, yet there was a lack of creative ingenuity to tell more than just the...
The tremendous power of Spirit: Stallion of the Cimarron lies in its many eloquent symbols. Objects, often highlighted in close-ups, serve as carriers of meaning and...
In A Cat in Paris, Dino is a black-coated cat. He spends his days in a cozy apartment, lounging in a comfortable armchair and playing with...
The academic resources on Slavic mythology we currently have are sufficient to create something new and engaging. Cracow Monsters is simply not good enough.
Big blockbusters, aiming for a broad audience, have to hold back — but low-budget productions can go wild.
Why Pontypool is so intruiging? Canadian horror cinema is most commonly associated with the name David Cronenberg — a filmmaker not exclusively devoted to the genre...
Murderville will remain in the category of curiosities that had the potential to turn out much better but, for various reasons, simply did not.
Earthquake Bird – could there possibly be a title more awkwardly intriguing? Still, I can’t say I wasn’t intrigued after watching the trailer and reading the...
Night of the Demon, directed by Jacques Tourneur in 1957, tells the story of American scientist Dr. John Holden.
Clearing, the feature debut of Magdalena Pięta, grips the viewer with tension from the very first minutes.
