Heavily expository, even borderline didactic dialogue is probably a method to make Synchronic more understandable for casual viewers
The Safe House is one of the most charming, intimate, and heartwarming films of this year’s Berlinale—as well as a perfect fit for the upcoming summer.
The similarities between Gangster’s Law and Reservoir Dogs are so striking that it’s hard to believe they’re coincidental.
Parade’s End has many strengths – the cinematography, the acting, the costumes – but it’s Rebecca Hall who remain the show’s greatest asset.
All attempts to form an emotional bond between the viewer and the characters fall flat. The Midnight Sky ends up as empty as the catastrophe-ravaged Earth.
A mysterious radio conversation and an equally cryptic image straight out of a post-apocalyptic alien invasion movie — this is how Starfish begins.
Scrubs is a multilayered construction, in which the absurd situations of the main characters and occasionally bizarre jokes are just a starting point.
Although I Kill Giants, doesn’t break new ground in portraying how children deal with trauma, it captivates through its well-constructed mystery.
In human DNA lies the determination to push boundaries and expand our horizons. Mars proves that we will emerge victorious from this journey into the unknown.
I Am Legend can clearly be divided into two halves. The first half is a solid piece of sci-fi with touches of action and some genuinely...
