War of the Worlds is an anti-surveillance film at heart. The aliens come to steal our precious data, and the indirect culprits turn out to be...
Little Fires Everywhere falls a bit short of perfection, but it is still a very good series. The whole is kept in a consistent, engaging style.
Whether it was Stone clinging to her past stardom or producers trying to milk a dead franchise, the result is the same: Basic Instinct 2 is...
Went up the hill is not another ghost story, but a haunting meditation on how toxic love can outlast death and devastate those left in its...
The message of I Know This Much Is True is painfully true. One must, like the biblical Job, stand naked before fate, and humbly accept its...
What a great cinematic summer this is! Nobody 2 proves that “bigger” and “louder” don’t have to mean “worse.” What we get is a distilled shot...
Vivarium is a visually very consistent film: rows of green buildings stretching to the horizon, sterile interiors of the houses, and a perpetually blue sky.
Ju-On: Origins, three-hour chronicle of death lacks shock value and solid scares, but for a 20-year-old series, it is not bad.
Deep Water seems to have had what it took to make the film a success.
The decadent flavor of Passages brings to mind the spleen of the French New Wave or its spiritual heirs in the form of creators such as...