Anyone who uses the internet or follows any reputable news source shouldn't be surprised by what they see in Green Border.
When it comes to Polanski's filmography, An Officer and a Spy seems to have the most in common with The Ghost Writer.
The master Satoshi Kon, creates Millennium Actress - a film in which he gracefully and acrobatically balances on the border between reality and dream.
The fact is that this time the director chose a considerably lighter genre than usual, making it much easier to swallow the bitter pills he serves.
What Lies Beneath uses music sparingly, trying to create the right mood through silence.
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![PRISCILLA. (Un)sweet and (un)cinematic tale [REVIEW]](https://filmfolly.com/wp-content/uploads/2025/09/PRISCILLA.-Unsweet-and-uncinematic-tale-REVIEW-400x240.webp)
![PRISCILLA. (Un)sweet and (un)cinematic tale [REVIEW]](https://filmfolly.com/wp-content/uploads/2025/09/PRISCILLA.-Unsweet-and-uncinematic-tale-REVIEW-80x80.webp)
The story of Priscilla Presley, though serving as a cautionary tale today, only partially works on the big screen.
Liquid Sky is a truly astonishing and original film.
The Ghost Writer remains a superbly directed thriller that not only appreciates viewer's intelligence but also allows to enjoy the excellently conducted plot.
Lady Bird is largely a story about youthful ambitions, which always surpass their owner.
![COUP DE CHANCE. Woody Allen's Best Film in Years [REVIEW]](https://filmfolly.com/wp-content/uploads/2025/09/COUP-DE-CHANCE.-Woody-Allens-Best-Film-in-Years-REVIEW-1000x536.jpeg)
![COUP DE CHANCE. Woody Allen's Best Film in Years [REVIEW]](https://filmfolly.com/wp-content/uploads/2025/09/COUP-DE-CHANCE.-Woody-Allens-Best-Film-in-Years-REVIEW-400x240.jpeg)
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At this year's Venice Film Festival, old masters prove that they still have what it takes.