Last Night is one of the least spectacular yet simultaneously best films about the apocalypse. The film’s story begins six hours before the end of the...
The greatest weakness of The Woman in the Yard is its heavy-handedness, which leaves the audience no room for interpretation.
Harrison Bergeron seeks to show where a misguided policy of enforced equality at all costs can lead (“You don’t want equality, you want sameness")
Dead Mail is a study of loneliness, obsession, and mental illness, while also touching on racial, social, and homoerotic themes.
Vivarium is a visually very consistent film: rows of green buildings stretching to the horizon, sterile interiors of the houses, and a perpetually blue sky.
Two elements, however, rescue Five Golden Dragons: its high entertainment value and its light, comedic tone—it is a parody of the spy genre.
Sphere is an A-class film in terms of cast and production values, but revisiting the film years later reveals that the negative reception was entirely justified
LX 2048 is an uneven film — but its relevance is profoundly unsettling. Let’s hope it doesn’t turn out to be prophetic.
Spirits of the Air: Gremlins of the Clouds is so visually beautiful! The meticulously designed set impresses: dark interiors illuminated by candles...
Flesh for Frankenstein takes a very loose approach to its source material. The plot has almost nothing in common with the book.