One of “Oddity’s’” great strengths is the suspense.

In “River”, the time loop is merely a pretext to observe human behavior and reactions in unusual circumstances.

The plot of “Ghost in the Machine” can be summed up: “The killer was bad, and computers, microwaves, and hair dryers were bad too.”

“Cure” doesn’t aim to shock or horrify.

“Dreamscape” often requires a suspension of disbelief

In “Slaughter Hotel” the masked killer’s activities serve as a pretext to showcase the erotic escapades of the patients and staff.

QEDA’s main flaw is the screenplay.

At first glance, “In a Violent Nature” may seem like any other slasher.

In “Footprints on the Moon”, Bazzoni doesn’t exhaust the audience with endless ambiguities: he ultimately explains everything in a...

"The Last Chase" suffers from plot holes, a formulaic script, and poor acting, but its prophetic value may increase with each passing year. ...