The Brain belongs to that minority that amazes and delights from the first to the last second. It's a must-see in its category.
As a tap with a film sludge, R.O.T.O.R. works really well. It's not remarkably bad, but solidly, decently botched. I recommend group watching. Ritualistically.
"Model, actress, reporter, nurse - all beautiful, but for the invaders from space, they are just Breeders" - today, no one would dare to propose such...
For many an appropriate rating for Warrior of the Lost World would be a one, but seekers of kitsch and tasteful trash will be delighted.
Killer Klowns from Outer Space stands out precisely because, unlike similarly budgeted comedy-horror films, they take absurdity very seriously.
Android received four nominations (including the prestigious Saturn Award), and the Australian newspaper The Age declared it the best sci-fi film of A.D. 1982.
Hyperspace / Gremloids is one of those films that, depending on the perspective, can be rated as both a "one" and a "ten."
Carpenter did not reveal the epilogue of the story, and the open ending is the best possible solution. The Thing stays with you for a loooong...
The creators of Neon Maniacs boast of adopting innovative perspectives that no one dared to show in science fiction or horror films before.
Director of Guyver: Dark Hero achieved the impossible: for a pittance he extracted the best from the material, creating one of the most underrated films in...
