Harrison Bergeron seeks to show where a misguided policy of enforced equality at all costs can lead (“You don’t want equality, you want sameness")
Sunshine is a synthesis of classics of the genre such as Alien, 2001: A Space Odyssey, and Event Horizon. Boyle, however, is in no way indebted...
War of the Worlds is an anti-surveillance film at heart. The aliens come to steal our precious data, and the indirect culprits turn out to be...
Vivarium is a visually very consistent film: rows of green buildings stretching to the horizon, sterile interiors of the houses, and a perpetually blue sky.
At this stage, Alien: Earth intriguingly expands the universe we know from previous installments—the creators not only skillfully present the fictional world.
Avenue 5 is an excellent example that mere criticizing and the banal statement that the rich are stupid, and capitalism is bad is simply not enough.
Chronicle still stands out as one of the rare “what if?” experiments that dares to answer with something other than another multiverse cameo.
Into the Night is not the dreamed-of adaptation of Dukaj’s prose. The writer deserves much more; his artistic thought reaches far beyond uncomplicated tales.
Sphere is an A-class film in terms of cast and production values, but revisiting the film years later reveals that the negative reception was entirely justified
LX 2048 is an uneven film — but its relevance is profoundly unsettling. Let’s hope it doesn’t turn out to be prophetic.
